The band still wanted to play, of course. They’d been working on new material already, having learned to fend for themselves without their lead singer around to drop his pearls of imagery. The last couple of Doors albums proved that, as a musical unit, they were tight and certainly capable. Whether anyone would care about them without the handsome guy in the leather pants out front was another question.
Other bands have rebounded successfully when they had to replace their singer, and the Doors kept it simple by splitting the task between keyboard player Ray Manzarek, who already showed his weakness on Absolutely Live, and guitarist Robbie Krieger, whose best quality is that he didn’t sound like Ray. Both guys couldn’t help but utter echoes of Jim’s swagger and laid-back delivery. Beyond that, all they needed to do was combine their instruments into enough catchy tracks to fill album sides, live shows, and hopefully, their bank accounts.
With its stark white cover and band portrait, Other Voices is a bold if indisputable claim, but the album works best when they just play. After a brief psychedelic whirl, “In The Eye Of The Sun” nails a nice swampy groove. “Ships w/Sails” is a sustainable Latin jam (unlike “Hang On To Your Life”), and “Tightrope Ride” is a direct descendant of “L.A. Woman”. “Down On The Farm” sounds the least like the Doors, but it gets distracted trying to change direction. Even the over-long “Wandering Musician” has a great hook for a slow fade. Yet, whatever one’s opinion of Jim’s “poetry”, the guys on their own were not impressive lyricists. “Variety Is The Spice Of Life” and “I’m Horny, I’m Stoned” aren’t about to make it into Bartlett’s Familiar Quotations anytime soon.
Both albums remained out of print for a few decades, and were ignored by the organization once Jim’s mythology took over. But in this century, after smaller labels did okay with semi-legitimate reissues, the band made it available for streaming. Then an official re-release paired the albums in a two-CD set, with one bonus track: the 1972 B-side “Treetrunk”. Left off Full Circle because it was “too commercial”, it’s probably the best song in the bunch.